Kleine Unpässlichkeit

A little indisposition at the Royal Guard

Vor einem Jahr aktuell: Die Guten und die Bösen, Wenn einem die Visage nicht passt… und Von der Optik her

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Erfolgsrezept der Post

Freundlichkeit und Spaß am Schalter, das ist das neue Erfolgsrezept der Post.
Hans-Hermann Thielke erklärt, wie das Personal lächelt, ohne dass die Kunden misstrauisch werden.

Musikvideo: Adobe Flash Player (Version 9 oder höher) wird benötigt um dieses Musikvideo abzuspielen. Die aktuellste Version steht hier zum herunterladen bereit. Außerdem muss JavaScript in Ihrem Browser aktiviert sein.

Link: NDR

Vor einem Jahr aktuell: Die Guten und die Bösen, Wenn einem die Visage nicht passt… und Von der Optik her

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Opera Mini 5 Beta Reviewers Guide

A short intro to Opera Mini 5 Beta

Posted via web from Eduard Weichselbaum on posterous

Vor einem Jahr aktuell: Die Guten und die Bösen, Wenn einem die Visage nicht passt… und Von der Optik her

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Wiedersehen nach einem Jahr

Nach einem Jahr trifft Löwe “Christian” seine beiden Pfleger in freier Wildbahn wieder und es kommt zu einem berührenden Wiedersehen.

Vor einem Jahr aktuell: Die Guten und die Bösen, Wenn einem die Visage nicht passt… und Von der Optik her

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WordCampTV – Rob Larsen: HTML 5 + Wordpress

Rob Larsen shows you how to create cross-browser, HTML5 enhanced WordPress themes using nothing more than a little extra JavaScript, basic WordPress knowledge and some knowledge of the new elements.

Vor einem Jahr aktuell: Ex-Bankerin erledigt Drecksarbeit mit neoliberaler Zielsetzung, Freundliche Vegetarier und Rosen, Daybed und Designermöbel – Man gönnt sich ja sonst nichts

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Get Out

Get Out: A bizarre French animation with a twist. Official Website: http://www.getout-lefilm.com/

This French animated film may seem frightening, but has a surprise ending.

Posted via web from Eduard Weichselbaum on posterous

Vor einem Jahr aktuell: Die Basarmethoden der EVN

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Georg Schramm über filigrane Formen der körperlichen Abmahnung

Gregor Schramm in “Neues aus der Anstalt” vom 23. Feber 2010.

Vor einem Jahr aktuell: Die Basarmethoden der EVN

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Day 67: Hailbow (HDR)

Day 67: Hailbow (HDR), originally uploaded by scottmeinzer.

It’s been raining on and off all day here in San Francisco, randomly it started haling and then this rainbow showed up…. By the time I grabbed my camera it was starting to fade away but I still managed to snap this HDR before it disappeared

Uploaded by scottmeinzer on 9 Mar 10, 2.17AM CET.

via Lisa Bettany

Vor einem Jahr aktuell: Die Basarmethoden der EVN

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Curious Displays

Curious Displays from Julia Tsao on Vimeo.

Julia Yu Tsao
Graduate Thesis Project, Fall 2009
Media Design Program, Art Center College of Design

http://juliatsao.com
http://cargocollective.com/juliatsao#263179/Curious-Displays

Animation in Maya, http://www.shadedbox.com.
Sound Design by Jason Chung, http://www.nosajthing.com.

Curious Displays functions simultaneously as a form of design research and as a proposal for a new product, a future display technology.

The project explores our relationship with devices and technology by examining the multi-dimensionality of communication and the complexity of social behavior and interaction. In its essence, the project functions as a piece of design fiction, considering the fluctuating nature of our present engagement with media technology and providing futurist imaginings of other ways of being.

Curious Displays is a product proposal for a new platform for display technology. Instead of a fixed form factor screen, the display surface is instead broken up into hundreds of ½ inch display blocks. Each block operates independently as a self-contained unit, and has full mobility, allowing movement across any physical surface. The blocks operate independently of one another, but are aware of the position and role relative to the rest of the system. With this awareness, the blocks are able to coordinate with the other blocks to reconfigure their positioning to form larger display surfaces and forms depending on purpose and function. In this way, the blocks become a physical embodiment of digital media, and act as a vehicle for the physical manifestation of what typically exists only in the virtual space of the screen.

Traditionally, displays are fixed-size/ratio surfaces that provide an entry point to a defined experience with digital media content. This content is varied–informational, filmic, auditory, at times even spatial. However, the relationship between the user and the digital entities within the defined surface of the screen creates a sense of fragmentation between two distinct spaces. The virtual space of the screen provides a surface for media content to come alive, but is a distinct and marked separation from the physical space that the user occupies.

Projection begins to create a kind of a hybrid space for the physical and virtual to blend. Projection can appear anywhere. It can appear on any surface at any given time, and can disappear again just as quickly, providing many space-saving benefits and new opportunities for mixed reality interaction and augmentation. However, the nature of such a transitory medium defies basic rules that are core to our understanding of the physical world. This begs the question of how virtual objects and entities can manifest themselves in the physical world without the “here one minute, gone the next” nature of the projection medium.

Curious Display “blocks” are tangible and tactile. They occupy and move through physical space, and are thus subject to the same spatial rules and limitations faced by any other physical objects. These constraints lend themselves to potentially interesting outcomes in terms of interactivity and negotiation. An abundance of questions quickly begin to surface–how do they move? How do they behave? Does this movement and behavior begin to allude to the development of a type of personality? How does one communicate with them? Where do they go when you’re not using them? What role do they take on in our daily lives?

Posted via web from Eduard Weichselbaum on posterous

Vor einem Jahr aktuell: Die Basarmethoden der EVN

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